Thursday, 30 October 2014

Themes in 'The Waste Land'

SHUAIB ASGHAR
DEPARTMENT OF ENGLISH
GOVT. RAZVIA ISLAMIA COLLEGE
HAROONABAD, PAKISTAN


‘The Waste Land’, a masterpiece of T.S. Eliot, is a long and complex poem about the psychological and cultural crisis that came with the loss of moral and cultural identity after the World War I. The critics have commented on the theme of this poem in different words:

‘vision of desolation and spiritual drought’. (F.R. Leavis);
‘the plight of the whole generation’. (I.A. Richards);
‘a sigh for the vanished glory of the past’. (Cleanth Brooks)
‘there is a life in death, a life of complete inactivity, listlessness and apathy’. (Spender)

There are only two master themes in the poem, which in turn, generate many sub-themes.

Disillusionment

           
The first of these major themes is the disillusionment, which indicates in the current state of affairs of modern society, especially the post-World War I Europe in which he lived. He illustrates this pervasive sense of disillusionment in several ways, the most notable of which is reference to joyless sex, such as the example of Philomel, upon whom sex is forced.

          In fact, Eliot employs a litany of joyless sexual situations, including the rich couple who would rather play chess than have sex, and the poor couple for whom sex becomes a way only of pleasing the husband, and even then, only if the wife has a ‘nice set’ of teeth. There is no love in any of these unions, and in the case of the poor couple, the wife has started having abortions because she ‘nearly died of young George’, one of her children. This purposeful killing of new life is another way Eliot shows how people are disillusioned regarding sex and how pro-creative power in many cases is lost.

          But perhaps the most prominent example of meaningless sex comes during the scene between the typist and the clerk. Following this joyless sexual encounter, in which the man satisfies his lust, he leaves the woman, who is ‘hardly aware of her departed lover’. Her indifference shows in her simple actions:


                      She smoothes her hair with automatic hand
                        And puts a record on the gramophone.

          Further, loss of faith and moral values, monotony of life and useless wars in various parts of the world also add to the disillusionment of the modern man.

                        What is that sound high in the air
                        Murmur of maternal lamentation

Restoration

         
The other major theme, restoration or rebirth, is the opposite of disillusionment. If modern society can somehow overcome its disillusionment, it will be restored back to a state in which life once again has meaning. This refers to the Fisher King myth from Weston’s book. The idea of restoration, in the form of resurrection, is not explored in detail until the final section, with the introduction of Christ. The final section begins with the talk of Christ’s betrayal and death and of ‘the shouting and the crying’ of Christ’s followers at his death. With Christ’s death, ‘we who were living are now dying’. Lost without their savior, Christians feel morally dead. But all hope is not lost, for Christ is resurrected, and joins his disciples on the road.

Further Eliot refers to one of the Hindu Upanishads, where in a period of doubt and confusion, men, gods and demons prayed to the creator. God answered their prayer through a divine thunder, which uttered one word thrice—Da, Da, Da. Each group gave its own interpretation. Men said ‘Da’ which means ‘Datta’ (to give), Demons said ‘Da’ which means ‘Dayadhvam’ (to sympathize), further the gods said ‘Da’ which means ‘Damyata’ (to control). According to Eliot all the three show the path of salvation for humanity.

Structure and Form of 'The Waste Land'

SHUAIB ASGHAR
DEPARTMENT OF ENGLISH
GOVT. RAZVIA ISLAMIA COLLEGE
HAROONABAD, PAKISTAN


The critics have taken objection to the form of ‘The Waste Land’. Some are of the opinion that it is a group of separate poems loosely strung together. Others feel that it is a parade of the poet’s learning. Some critics understand that there is no story or movement in the poem. The poet keeps beating about the bush without reaching any conclusion. However, on a careful study of the poem it has been found that there is a thin and subtle thread which runs throughout the poem and gives it a sort of unity. This pertains to the evils of civilization and how civilization can be saved.

Tiresias, The Unifying Link


Tiresias, the protagonist, imparts a sense of unity to the poem as a whole. Through the stream of consciousness method Tiresias reflects on the past and the present, and sees a lot of resemblances between them.

Film Technique-Montage


Eliot follows the film technique in representing scenes from the ancient world and modern life. He builds up a sequence of pictures from the parts of a scene, rather than giving a scene from beginning to end. He also recalls previous scenes from memory. This is called Montage in technical language.

Spiral Structure


Some critics feel that the structure of the poem is circular; the argument does not progress and it ends where it began. Helen Gardner however writes. ‘We are not, however, moving in a circle but on a spiral up and down’. The theme is one and the same i.e. the evils of civilization. Sometimes the poet takes up one point and then takes up the next and reverses to the first point again. However, there is some kind of forward movement. In the beginning, the poet refers to the desert and rock but at the end there are cloud and the hope of rain.

Use Of Myths / Parallelism


Eliot’s vast scholarship is reflected in literary allusions, symbols and myths. He deliberately chooses the mythical method for obvious advantages. It helps in concretizing parallelism between past and present. Secondly, it bridges the gulf between the crises in human history and civilization. It gives a sense of the continuity of time and human consciousness. Eliot mentions a number of wastelands which are so much alike; the Biblical wasteland, the wasteland of King Oedipus, the wasteland of King Fisher, and the modern wasteland. The root cause of these wastelands, their barrenness and desolation was loss of moral values and sexual perversion. The way to regeneration and salvation is given by Eliot in the last section in the words of the Thunder.

Irony And Contrast


Eliot pinpoints the distortion of values in the modern age through ironic contrasts too. The banks of the river Thames were once full of nymphs, but now they are full of young girls for having a good time with their lovers. In the past the loss of virginity led to suicide. Goldsmith’s heroine in ‘The Vicar of Wakefield’ contemplates death after seduction. But the typist girl after having sex with her lover stretches her hands to play a gramophone record, as if nothing had happened.

Symbolism


Use of symbols adds to the clarity and significance of the poem. The recurrent mythical symbols are taken from the cycles of seasons. ‘Winter’ stands for death, ‘spring’ for rebirth, ‘drought’ for spiritual barrenness, ‘rain’ for spiritual rebirth and productivity. Eliot uses his own personal symbols in very meaningful way. ‘Dog’ is a symbol of human conscience. ‘Red Rock’ stands for Christian Church which offers a place of refuge for the lost soul of man.
  

Poetic Shorthand


Eliot compresses his ideas and impressions through poetic shorthand. It is device which brings together places and events, and history and legends through the use of words and lines written by writers of different countries and times.

After all human experience is practically one and the same throughout the ages. The use of quotations and allusions from different books is a part of the poetic shorthand used by Eliot.


To conclude, the poem has a pattern and purpose. Through literature and history, Eliot has shown how period of spiritual barrenness and decadence have been followed by the periods of rebirth and regeneration. He offers a comprehensive solution to the problems of the modern age by combining the wisdom of the East and the West.


Issues in 'The Waste Land'

SHUAIB ASGHAR
DEPARTMENT OF ENGLISH
GOVT. RAZVIA ISLAMIA COLLEGE
HAROONABAD, PAKISTAN



Undoubtedly, ‘The Waste Land’ is a social document of our times, a poem which throws light on the problems, perplexities and disintegration of modern civilization. This integration is due to several reasons as mentioned below.

Sexual Perversion


Today, sex has been perverted from its proper function and is utilized for animal pleasure and monetary benefits. It has, therefore, become a source of degeneration and disease and a hurdle in man’s spiritual progress as well. Easy sexual relationships are found among all sections of society. Eliot cites the instances of German princess and the Lady of Situations. Further he mentions the story of Lil and the experiences of the three daughters of Thames. The typist girl has no emotional involvement in the sex act. She takes it as she would take as aspirin to get over a tension or a headache. Eliot sums up the story of the European lust through the words of St. Augustine:

                   To Catharge then I came
                        Burning burning burning burning

Loss Of Spiritual Values


          The poet questions Stetson about the corpse which he had planted in his garden last year. Had it bloomed this year? He further advises him to keep the dog away from the corpse as he may dig it up. The dog is the symbol of conscience which is likely to awaken humanity to its spiritual decay. The idea behind the corpse and the dog is that without faith and conscience man cannot be reborn. The dog may also refer to modern scientific philosophies which are outwardly beneficial to human beings but are really harmful for spiritual life. Man is not only the body but also soul and these philosophies neglect the soul. 

Lack Of Human Relationship


          People have become self-centered and egoistic. There is no sentiment of sympathy and compassion.

                   We think of the key, each in his prison
                        Thinking of the key, each confirms a prison

          Each one of us thinks individually of the method of breaking out of his own cell. He is thereby inflating the ego. The ego isolates one individual from another and thereby prevents united action to come out of prison. The word Dayadhvam (to sympathize) is one of the secrets of man’s spiritual rebirth. We must give up our ego and isolation and work for the good of humanity. This will bring spiritual satisfaction.  

Mental Tension And Monotonous Routine Of Life


          Modern psychologists have shown that majority of people are abnormal. They suffer various types of mental illness on account of the worries and anxiety and challenges of the modern life. The fashionable society woman called Lady of Situation, is bored with her own life and has become extremely neurotic. Her lover, too, suffers from mental exhaustion. He says:

                   I think we are in rat’s alley
                        Where the dead men lost their bones

For the ordinary man and woman, a dead and meaningless routine is mentioned by the poet as:

                   The hot water at ten
                        And if rains, a closer car at four
                        And we shall play a game of chess

Politics And Wars


          An important cause of the disintegration of modern civilization is the enormous power wielded by politicians. They have the power to make war against other countries, without consulting their own people. By their own actions, they can bring untold miseries to their countrymen.

Millions of people were affected by war directly and indirectly.

                   What is that sound high in the air
                        Murmur of maternal lamentation

          So, Eliot has given a very clear picture of the disintegration of the European society after the First World War. But it may be noted that the decay of civilization is a part of the history of the mankind. Eliot draws upon the example of ancient history of Europe and India and shows how resurrection and rebirth is possible even today. The mythical method of Prajapati—Da Da Da suggests the unfailing remedy of the ills of modern world.

Saturday, 7 June 2014

William Faulkner as a Novelist

SHUAIB ASGHAR
DEPARTMENT OF ENGLISH
GOVT. RAZVIA ISLAMIA COLLEGE
HAROONABAD, PAKISTAN
 
 
William Cuthbert Faulkner, an American writer, worked in a variety of media; he wrote novels, short stories, a play, poetry, essays and screenplays during his career. He is primarily known and acclaimed for his novels and short stories. He was awarded the 1949 Nobel Prize for Literature. Some of his great works are ‘The Sound and the Fury’, ‘As I Lay Dying’, ‘Sanctuary’, ‘Light in August’, ‘The Hamlet’, ‘The Wild Palms’, ‘Absalom Absalom’.

William was the eldest of the four children but he did not get on very well with his brothers, and these early disparities between him and his brothers caused his some anxieties which were aggravated by his father’s strange hostility to him. In the meantime, William’s father started drinking more heavily than before, with the result that William’s mother felt miserable though she did try to adjust herself to her husband’s drunkenness. However, there were some positive elements in William’s environment favoring the growth of his innate artistic tastes. There were his mother’s books by Conard, Shakespeare, Dickens, and Mark Twain, and his father’s western romances to read.

When he was seventeen, Faulkner met Philip Stone, who would become an important early influence on his writing. Stone was then four years his senior and came from one of Oxford's older families. He was passionate about literature and had already earned bachelor's degrees from Yale and the University of Mississippi. Stone read and was impressed by some of Faulkner's early poetry and was one of the first to discover Faulkner's talent and artistic potential. Stone became a literary mentor to the young Faulkner, introducing him to writers such as James Joyce, who would come to have an influence on Faulkner's own writing.

Faulkner’s Experiments With Form


Faulkner has made a number of experiments. Some of these include:

  1. his use of more or less incoherent narrators such as Benjy, Quentin, Darl, Rosa Coldfield, and Gavin Stevens;

  1. his disordered time sequence;

  1. his juxtaposition of largely independent stories;

  1. and his very long sentences which do not observe the laws of syntax.

Because of these experiments Faulkner is notoriously difficult, and has never attained widespread readership.

His Three Methods of Handling a Narrative


We may distinguish in his works three basic methods of handling a narrative.

1.    One is best typified in ‘Sanctuary’, where there is a tightly organized plot, laconic style, an objective presentation of characters. This is impersonal method.

2.    Another method is best typified by ‘As I Lay Dying’, or ‘The Sound and the Fury’, where each character unfolds the story in his own language (Stream of Consciousness). This may be regarded as dramatic method because the author here does not obtrude.

3.    The third method is best seen in the stories ‘Was’, and ‘The Bear’, where the organization of the narrative is episodic and a narrator’s presence is almost felt.

Faulkner’s Style


Faulkner does not begin his story at the beginning. Likewise, he does not use a straightforward method of relating the story. In other words, he will tell the reader a little about a certain event, and then he will drop it and later return to the event and tell the reader more and then drop it and then later return once more and tell more. During this technique of circumlocution (that is, a technique whereby the author approaches his material in circular movements rather than heading directly to the heart of the story), the reader gradually becomes aware of events, facts, motivations, and emotions.

It would be dangerous to go too rapidly into the story. If the sentences surround you and envelop you and entangle you in the story, this is Faulkner's method of making you become a part of the story. Faulkner's style has served its purpose: First, it held the reader back and confused him, and then gradually it brought the reader into the story so personally that he became one of the actors or participants.

Subjective Quality of His Work / Autobiographical Elements


Faulkner’s work proves to be extremely subjective. Faulkner admitted that ‘I am telling the same story over and over, which is myself and the world’. Later he said, ‘that’s all any writer ever does, he tells his own biography, talking about himself in a thousand different terms, but himself’. Faulkner knew that his fiction was all about Faulkner. Like so many writers, he was in one way or another many of his characters, from Julian Lowe to Bayard Sartoris, Quentin Compson, and Lucius Priest.

In ‘The Sound and the Fury’, Faulkner put a bit of himself into his portrayal of Benjy, much more of himself in his portrayal of Quentin, and something of his father in his portrayal of Jason. The failure of parents in this novel reflects Faulkner’s own feeling about the failure or at least inadequacy of his own parents. Caddy in this novel represents the sister whom Faulkner never had, but for whom he felt a great longing. The portrayal of Caddy filled the vacuum in Faulkner’s own heart. That was perhaps the reason why Faulkner, till the very end of his life, spoke of Caddy with deep affection. She was, he suggested, both ‘the sister of his imagination’ and ‘the daughter of his mind’.

Faulkner vs Hemingway


While they lived through the same time period, William Faulkner and Ernest Hemingway were two very different writers. Even to the simplest part of writing they're different. Faulkner wrote many long sentences while Hemingway wrote mainly short ones. Faulkner embedded a lot of emotion in his writing unlike Hemingway, who seemed to write without emotion. However, both writers wrote about what can be considered universal truths. Both of them would be open to new ideas, even if they didn't, or weren't capable of writing in the way of the other.

His Noble Prize Speech


Faulkner was awarded the Noble Prize for Literature in 1950. His Noble Prize speech became almost one of Faulkner’s best-known works. Here are a few lines from that speech. “I believe that man will not merely endure; he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The writer’s privilege is to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.” In this way Faulkner affirmed both man’s splendor and the great role of the artist.

Title of 'The Sound and the Fury'

SHUAIB ASGHAR
DEPARTMENT OF ENGLISH
GOVT. RAZVIA ISLAMIA COLLEGE
HAROONABAD, PAKISTAN

Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
(Macbeth, Act V, Scene 5)

When Macbeth learns of his wife's death, he cries out the above lines, which can be used as a clue to the meaning of the novel or to the structure of the novel. Certainly Faulkner plays with the idea that life is nothing but a shadow. The word shadow appears continually throughout Quentin's section, and it also occurs frequently throughout the rest of the novel.

The implication of life is used by Faulkner to suggest that the actions performed by modern man are only shadows when compared with the greater actions performed by men of the past — that modern man is only a shadow of a being, imperfectly formed and inadequate to cope with the problems of modern life. Man is forced to commit suicide, as Quentin does, and while performing this destructive act, he sees his shadow rising up from the water beneath him. If man does not take his own life, then he is either a materialist like Jason, who values nothing except money, or else he is an "idiot" like Benjy, who can see only shadows of life.

“The Sound and the Fury” has as its major theme the decay and disintegration of an aristocratic family living in the American South. This family has had distinguished ancestors and a highly respectable tradition. But the family has now fallen on evil days and has to face crises after crisis, disaster after disaster, setback after setback and falls victim to those vices which Faulkner believed were responsible for the problems in the reconstructed South: racism, avarice, selfishness, and the psychological inability of individuals to become determinants. Over the course of the thirty years or so related in the novel, the family falls into financial ruin, loses its religious faith and the respect of the town of Jefferson, and many of them die tragically.

The first section of this novel is literally a tale told by an idiot Benjy. The second section tells of the sordidness of the lives of Quentin and Caddy. The third section acquaints us with the monstrous nature of Jason. The final section deals with the theft committed by Miss Quentin, her flight from home, and the discomfiture of Jason. Faulkner’s vision of life as revealed through his chronicle of the Compson family is, indeed, gloomy and pessimistic. None of the members of the Compson family represent any positive values with the possible exception of Quentin whose finer side is, however, swamped by his negative impulses.