WILLIAM WORDSWORTH (1770-1850): (ROMANTIC)
THE PRELUDE (1805)
1.
Theory Of Poetic Process
2.
Theory Of Poetry
3.
Theory Of Poetic Diction
4.
Wordsworth And Nature
5.
The Prelude As An Autobiographical
Poem
6.
Romantic Poetry With Reference To
Wordsworth, Shelley And Keats
PERCY BYCHE SHELLEY (1792-1822): (ROMANTIC)
ODE TO THE WEST WIND, ADONAIS
2.
Theme Of ‘Ode To The West Wind’ /
Shelley’s Idealism
3.
Critical Appreciation Of ‘Ode To The
West Wind’ And ‘Adonais’
JOHN KEATS (1795-1821): (ROMANTIC)
ODE TO AUTUMN, ODE TO GRECIAN URN,
ODE TO NIGHTINGALE, ODE TO MELANCHOLY,
ODE TO PSYCHE, ODE TO FANCY
1.
As A Romantic Poet / An Escapist
2.
Sensuousness
3.
Negative Capability
4.
Hellenism / Love For Greek Culture
And Civilization
5.
Critical Appreciation Of Ode To
Autumn, Ode To Grecian Urn,
Ode To Nightingale,
Ode To Malancholy
ROBERT BROWNING (1812-1889): (VICTORIAN)
PROPHYRIA’S LOVER, MY LAST
DUCHESS, THE BISHOP ORDERS HIS TOMB, FRA LIPPO LIPPI, ANDREA DEL SARTO
1. An
Optimist Poet / Philosophy
2. A
Poet Of Dramatic Monologues
WILLIAM BUTLER YEATS (1865-1939): (MODERN)
NO SECOND TROY, SEPTEMBER 1913,
EASTER 1916, THE SECOND COMING, AMONG SCHOOL CHILDREN, LAPIS LAZULI, A PRAYER
FOR MY DAUGHTER, SAILING TO BYZANTIUM, LEDA AND THE SWAN, MEDITATION IN THE
TIME OF CIVIL WAR
1.
Irish Background
2.
Theme Of Old Age
3.
As A Love Poet
4.
As A Modern Poet
5.
Symbolism
6.
Critical Appreciation Of No Second Troy, Easter 1916, The Second Coming, Among School
Children, A Prayer For My Daughter, Sailing To Byzantium,
Lapis Lazuli,
7.
An Assessment Of W. B. Yeats As A
Poet
THOMAS STERN ELIOT (1888-1965): (MODERN)
THE LOVE SONG OF J. ALFRED
PRUFROCK, THE WASTE
LAND
1.
Issues In ‘The Waste Land’
2.
Themes In ‘The Waste Land’
3.
‘The Love Song’ As A Dramatic
Monologue
4.
Symbolism And Imagery
5.
Techniques And Style
6.
Critical Appreciation Of The Waste Land
And The Love Song
7.
T. S. Eliot As A Poet
8.
Chief Characteristics Of Modern
Poetry
No comments:
Post a Comment